So here we are, a week removed from the devastating event which will surely go down in history books alongside the sinking of the Titanic, the World Wars, the time I had a wart frozen off... yes, I am talking about the big one, Elizabeth: The Night Chris Daughtry Took It Up The A ...
I admit that I, too, held onto my shock and awe for well over 36 hours, and am still, seven days later, fielding emails and having IM discussions with total strangers who continue to need to vent their severe discontent, umbrage, and disdain for the entire AI process.
But with time comes emotional distance, and as I mentioned last week, I am now even more firmly convinced that Chris ultimately dodged a bullet.
In getting voted off when he did, he actually achieved a public relations Trifecta:
1. Untold millions are indignant on his behalf.
2. He received a job offer within 24 hours (although I think Fuel was sucking the PR bong a tad hard by making it via Entertainment Tonight) and once the AI tour is over, he will be free to do his music, his way.
3. By not winning the title, he will not be forced to sing and record something along the lines of Flying Like This Inside A Moment Without Your Heavenly Wings.
And yes, I am well aware of the phone line CHRISpiracy theory - that many a voter reported dialing Chris's number only to have Katharine's voice thank them for voting for her. While I did not personally experience the glitch - my calls got through to his recording - I will say that DialIdol.com had predicted his ouster a good twelve hours before the show.
Basically, I think Chris has the world by the waggly sack, and will do incredible things in the industry, so his boss had better look into permanently filling his position in the service department back home.
That being said, Ms. Cheekbones had better step up - because she has those very same millions giving her stink eye in defense of Chris, and their votes are not going to go her way unless she sings with emotion, remembers her lyrics, and ... does both while wearing a thong and pasties made out of Fruit Rolls.
The latest interview with Simon has him predicting a Taylor/Cheekbones finale with a Soul Patrol win in the end, but as he freely admitted, "What do I know?"
Paula, while enjoying a delusional high brought on by Ego and OxyContin, took full credit for Elliott still being around, saying, "I feel like I changed the face of the competition by making America wake up and see the talent that Elliott possesses.""
Listen, I don't dispute that our Amish Buggy driver can sing beautifully, but does she seriously think anyone listens to a word she says? Paula, darling, you are a train wreck, a car crash, a human Hindenburg exploding each week for our entertainment. You are not, nor will you ever be, a source of actual information or valued opinion - unless of course, someone needs the name of a reliable dealer or wholesale hair hawker.
Now, onto the recap...
Opening the show with the ominous words, "This is where it gets serious, America", I was reminded of the words of historic figure, Winston Churchill, that "The farther backward you can look, the farther forward you are likely to see." And thanks to the wonders of "Save File" and Blogging, I was able to look backward to when we pruned the AMerican Idol tree down to ten branches and see how Ryan pulled those exact same words forward to tonight. So, I guess since we are now down to three, back then we were only getting semi-sorta-kinda-if-you-wanna serious?
But I digress...(and lord kids, it's early in the recap for me to be digressing - I hope you packed a lunch...)
Dressed in a black suit, crisp white shirt, striped tie, and he-man stubble - good God, who is he dating now? - Ryan quickly acknowledged Chris's ouster and then used it to admonish us all to "VOTE, VOTE, VOTE". Listen Stubblette, we TRY, TRY, TRY, but constantly get BUSY, BUSY, BUSY signals or the WRONG, WRONG, WRONG freaking contestant. How about AI gets some GOOD, GOOD, GOOD phone lines because after five seasons, this is getting OLD, OLD, OLD.
A quick nod to the judges showed that Randy (or someone who dresses the man) has obviously been reading the recap because his stripes were AWOL this evening. Instead he was decked out in navy blue, a white tee, and my daughter's swim goggles. Seriously dude, what the hell were those glasses supposed to be? Paula, at least on my screen, initially appeared to be wearing ... NOTHING. She honestly looked naked. The camera then widened out a bit to reveal she was simply wearing something seriously strapless. On her wrists were the leather restraints from her latest round of electro-shock and on her ears, a couple chain belts that were so popular back when, well...she was so popular. Poor colorblind Simon simply stuck with gloomy gray.
Ryan then introduced the night's theme - or themes, if you will - A Vocal Triple Play: Clive Davis' pick, Judges' pick, Contestants' pick. The first would be chosen by music legend Clive, who of course, deserved a video retrospective of his career, but then he has been in the recording industry for three hundred years. He looks good too.
OK, seriously, old Clive has had his hand and talent in the careers of more superstar recording artists than any other music executive on Earth. From Barry Manilow to Aretha Franklin to Justin Timberlake (he also has Britney Spears in his current stable - look for her new hits Cheeto Stained Fingers & Worthless Sack of Sh*t, Talentless, Moocher Husband off her soon to be released CD Oops, I F'd Up Again). He is also responsible for discovering Whitney Houston, something I'm sure he used to brag about, but after multiple stints in rehab and a continuing stint with Booby (sorry) Bobby Brown, he probably now wishes he could burn from his memory.
Needless to say, with tenures at Columbia, Arista, J Records, RCA Music Group and BMG, Clive truly is, "the most influential recording executive in the world."
Elliott drew the short straw this evening, having to go first - THREE times. Ouch. Clive chose the Journey power ballad, Open Arms for him to sing and counciled Elliott to "use the power" of his voice. Whoa - that was amazing advice, and so perfectly apt ... for a singing contest. The man is a genius.
The song is a classic, but this one opened with a whimper, not an emotional bang - whoever did the musical arrangement? - it sounded like it was being played on a child's keyboard - it was seriously weak. Elliott was dressed in a beige suit, untucked shirt, with hair that keeps getting better and better each week. He looked downright handsome. While he sounded fine (fine being code for "eh"), he did not even hold a nightlight, much less a candle to Steve Perry's original vocal. And even though I went back and watched several times, I still can't figure out if he botched the lyrics at the end or if someone did a total rewrite and mixed them up intentionally. I'm leaning towards the former because there really was no reason, nothing gained, by shifting the lyric positions.
Randy did his predictable Journey bragging (clearly, as demonstrated in the photo, a thing worth bragging about), then dropped cliche #1 of the evening, "You worked it out."
Paula, who practically conceived Elliott and nurtured him at her bosom (from the way she tells it) gushed about his "excellent voice tonight" and that he did a "great job"; Simon warned him to "loosen up" and that it was "not a great performance".
Next up with Clive's choice was Cheekbones singing the R Kelly hit I Believe I Can Fly, because he thinks she has "big range, a great voice" (she does) and that they need to find the "Katharine McPhee sound" so she can "soar". Katharine, of course, enthusiastically assured Clive she is "looking forward to soaring", but the only thing moving up was her way-too-short skirt. She was continually pulling it down while seated across from him. Note to you young things out there: If your skirt is such that the person across from you can tell if the carpet matches the drapes, IT IS TOO SHORT. Save the denim bandaids for venues that do not require you do anything more strenuous than leaning against a wall.
Standing at Matilda the Mikestand, Cheeks looked amazing as usual in a Kermit the Frog satin dress, cut down to her navel, and a new box of hair. I almost hope she wins this thing because the girl has developed a serious addiction. If she gets voted off and they repo her Lady Godiva tresses, it may prove too much for her to bear. She sounded clear and strong, but again, her tendency to oversell a song kicked into high gear before the midpoint. Pointing, chasing the cameras with her eyes, all her dreaded trademark moves. And then there was an awkward moment when she just stood there waiting for the background singers to do their thing before she sang again.
Randy started with "you look amazing" which was followed by one of the most gratuitous camera shots in Idol history as the camera slowly panned up from her feet to her head. Anyway, any comment that starts out about how a contestant looks is never good, and it wasn't. Paula could not offer more than "the color for you is gorgeous, but..."; Randy picked back up saying the song choice wasn't good, which to her credit she defended with the fact that she "didn't pick it". Simon actually said they were being "unfair" and that "apart from a couple bum notes", Katharine "created a moment" for herself.
Taylor's turn came next and Clive had not only chosen the Bruce Springsteen classic (I think Bruce would argue the loose use of that term), Dancing In The Dark, but had phoned The Boss personally to get permission for Taylor to sing it. Dressed in a brown blazer, black shirt, jeans and boots, he seemed to lack a decent connection to the song in the beginning. Things picked up when he started to move, even pulling Paula - who I could now see was wearing a full length hot fudge sundae (with two scoops) tonight - onto the mini stage behind the judges to dance. He danced his way back to the main stage and although he did not quite have Bruce's constant sexy gravel throat, he ended well.
Randy said what he loves about Taylor is that he "knows how to have a good time"; Paula apparently did not use double sided tape and a scoop of her "ice cream" almost fell out, but she said he "was incredible"; Simon called it "ok" and that it was "pale by comparison" - I will agree with that statement, but then there truly is only ONE Springsteen. He then told Paula that "for your age, you were incredible", a sarcastic remark that somehow sparked the doobie that is Ms. Abdul's cerebrum and she acted like that was the funniest thing EVER, falling on him in the process. Come on guys, who's in charge of the net tonight?.
AFTER. THE. BREAK. we moved on to snippets from their trips home and the Judges' Choices. In Richmond, Virginia, Mayor Wilder (who I guarantee had to be brought up to speed on this whole American Idol thing by much younger, hipper aides) read a fax from Paula to Elliott that her choice for him was What You Won't Do For Love, a song she defended in person because Elliott is "full of love" and a "funky white boy who can get into it".
Eeeewwww.
Taking the stage, he looked less like a "funky, white boy" than he did a Best Buy Audio Salesman - nicely dressed in jeans, an untucked black Henley, and an air of relaxation that was seriously missing during the first song. He sounded better, connected more, and seemed to be enjoying himself. I think what is ultimately going to send him packing is that, while he is great to listen to, most of America has pretty good vision, and he just isn't the most aesthetically pleasing out of the bunch. I know, I know, it isn't fair, but think back to high school when you voted for cheerleader or homecoming king. I seriously doubt you ever checked the box next to big Bertha or elephant ankles Ethel, much less Freckled Fred or Acned Alvin. We're just shallow that way. (Now that I've typed that, I'm going to vote fifty times for Elliott because I want to be a better person.)
Randy said it was a "good song choice", but "sharp most of the song"' Paula asked if he would like some ice cream? OK, fine - she didn't, but she wanted to...She actually babbled on about Elliott being "the kind of artist you are"(?), and that he just pierces "to the heart". So does a six inch shishkabob skewer, but that's not necessarily a winning thing. Simon said that while it "wasn't the best song in the world", the "style suited" him and that he "sang it pretty well".
Mayor Villaraigosa of Los Angeles (Kat's hometown - any bets on how pissed off she was she didn't get a private jet ride home?) was then shown in a video reading an email from Simon stating she would be singing Somewhere Over The Rainbow. In fact, Simon "knew from the beginning this was the perfect song for her." Smug, clairvoyant SOB...
Sitting on the stage, because she no longer possessed the stength to stand under the weight of all that hair, Cheekbones was dressed in jeans, heels and a beige beaded top. Lovely as ever, blah, blah, blah - were this America's Next Top Model/Singer, she'd be the winner - she began the song by cleaning the wax from her left ear - wait, sorry - she was extracting her ear piece for some reason. She did a wonderful, clean a capella and then was joined softy by some strings. I think it sounded really nice, but while she had bogarted Fantasia's pose, she did not have any of her Summertime magic. Plus, the parts where she leaned her head waaaaaaaay back for big notes seemed more contrived, planned, than an actual emotional nuance that "just happened".
Randy declared that this is what he had "been waiting for", that it was the "best vocal of the season" for Kat, and announced cliche #2, "America, we've got a hot one tonight." Paula told her to "soak in this moment"; and Simon said he was "very happy" for her tonight, that it was the "single best performance of the competition to date". With that rhapsodic waxing I had to TiVo back and rewatch it.
Nope.
It was nice. It was in tune. She is hot. But there is still something that just doesn't make me want to dedicate two hours of voting to her.
Coming back from another break, Taylor was in his video standing with Alabama governor Bob Riley who was reading a fax from Randy regarding his song choice for Taylor of You Are So Beautiful by Joe Cocker. I could almost hear the Soul Patrol cheers ring out across the land. OF COURSE that was a perfect song for him. Dressed in a gray suit and white shirt he walked out to Matilda and proceeded to grab her by the neck and squeezed till I swore I saw microphone juice oozing out of her.
OK guys - I watched, and I rewatched, and I even watched it a third time - AND my love for Taylor Hicks is by no means a state secret - but he looked completely constipated throughout the first half of the song. Either that or he was trying to do some really high level calculus in his head while singing. On the screen saver behind him, when they showed his face in movie theater screen close up, he looked like a tick about to pop. Bright red, plus the way he kept pulling away from the microphone coupled with that "look" on his face, you would have thought that Matilda stank like old socks full of cooked brussel sprouts.
I mean, there's soulful and then there's just plain unhappy. Thankfully, he really opened up towards the end and brought it home, but man, the journey to get it there... And then POOF!, as soon as the lights came up, the old Taylor was back, smiling like he was at a family picnic with a glass of sweet tea in each hand.
Randy said it was a "great, tender moment" (Yes, tender like he had hemorrhoids) and that he "did the song proud"; Paula said "you look like a star, you are a star" (very true); Simon called it "so far and away your best performance so far" and that he "loved it".
I love Taylor, ergo I loved it too, but I was seriously, briefly, concerned for both T and Matilda...
The next break brought us back to the chat chairs and Elliott & Ryan auditioning for Star Jones' seat on The View. Elliott chose to sing I Believe To My Soul and took the stage dressed in jeans, a black shirt, and a white blazer with black pinstripes against a screen saver of what looked like flaming plus signs.
Now, he sounded in fine form, but this being his last chance to impress the masses? He should have chosen a song more young dialers could sing along to. He sold it, but I fear not many people were in the market for a song that was decades off the charts. And when he changed the middle lyrics to, "You said Oh Nellie, when you know my name is Elliott Yamin"? I mentally began to pack his suitcases for him. (Elliott, your toothbrush is in the Zip Lok inside your carry-on and I rolled all your socks into compact little sockballs.)
My daughters began to scream at the end of the song, at which point I got completely confused. I looked up from writing notes and TiVod back to see what I had missed about Elliott that had set their little hearts on fire.
Sorry, but it had nothing to do with the funky white dude on stage, but the hunky white dude in the crowd - Zac Efron of High School Musical fame - now there is a vocal god. Don't believe me? It comes out on DVD May 23rd and it's on 300 times a week on The Disney Channel. Check him out.
Randy said it was "not the perfect song" but that Elliott "can definitely sing" - what a lame comment. I would certainly hope the boy can sing after this many weeks of being voted through. Paula made my skin crawl with the whole "funky white boy" comment again; Simon nailed the coffin shut with "those songs won't carry you through to next week, but you'll make your Mum proud." Awwwww....
Next on the Small Talk Stools was Cheekbones, decked out in black boots, a short black dress and cleavage. Someone must have given her a B-12 shot because she was once again standing on her own and not crumbling under all the polyesthair. She chose to sing I Ain't Got Nothing But The Blues, another one that made 75% of the viewers go, "Huh?" But while it started with some sad dance moves on the ramp - seriously Kat, this is American Idol, not the Vegas strip - you have to commit if you're trying to sell sexy - I have to admit, I honestly enjoyed this performance. She seemed comfortable, was truly enjoying herself, shared the fun with the audience, even had a twinkle in her eye that is always lacking as she tries to keep up with the cameras. In my humble opinion, the only drawback is the fact that the song was unfamiliar.
Randy mumbled "this was OK, I don't know..."; Paula said her "magic was Somewhere Over The Rainbow" (is that the name of the clinic she goes to??); and Simon said it was "overall a good night" but that she continued to take "five steps forward, one step back".
Taylor was up last with his choice of Try A Little Tenderness, dressed in a black suit and white shirt (I know the stylists probably get frustrated and bored, but he always looks great in a suit). A slow start in which he changed a single word - shabby to shaggy in describing "her dress" - and then he picked up the tempo. (Small tangent here: I get "shabby". "Shabby" is ragged, old, worn out, drab. "Shaggy" brings to mind haircuts from the 70s, a Scooby Doo character, my sister's dogs, but not a woman's dress) Taylor began to move around, bringing the audience with him, growling some lyrics, feeling them all, even squeezing himself at one point - it was all classic Taylor - and it was great. Need proof? My nine year old watched him and immediately made me promise to "vote for him all night" because he was "awesome, dude".
Randy gave Taylor a new name: Have A Good Time Funky Taylor or HAGTFT, a mouthful of rocks pronounced Hagtift for you Hooked on Phonics buffs. Personally I like Taylor better, but maybe Hagtift will grow on me if I say it enough... Hagtift Hagtift Hagtift Hagtift Hagtift Hagtift Hagtift
Nope. It sounds stupid or like the fake name of a server in a Medievel Times restaurant.
Paula had "waited all season" for Taylor "to sing this song"; Simon lauded his "smart choice", slammed his "hideous ending", but ended with "I'll see you next Tuesday." Of that, I am sure.
So that wraps up our oh-so-serious night of triple plays. My guess for striking out tomorrow night is going to remain with Cheekbones, only because I think so many people are P.O.d she stuck around instead of Chris. Elliott has been pulling some high numbers lately and I think it is safe to say we now know where the Kevin Covais voters migrated.
Tune in tomorrow night when we get to watch whole cities come out to cheer for three contestants they didn't know or look twice at six months ago, but who now claim them as their own. I expect we'll see at least one official Taylor-Elliott-Katharine Day added to a local calendar, a couple gold keys to the cities, and finally get a real glimpse at just how demographically diverse the Soul Patrol really is.
What do you think, kids? Who's out, who's taking their game to the finale?
Hagtift! Hagtift! Hagtift! Hagtift!
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