All right class - I would like to know - show of hands, please - who, besides me, both cringed and laughed (craughed) last week when the Queen theme night announcement was made?
Hmmm, that's what I thought. A whole class full of craughers.
A+ for all of you.
Queen.
The hit band from the 70's.
The hit band from the 70's fronted by, arguably, the most flamboyantly talented singer in the history of recorded song, albeit, now the most flamboyantly talented long deceased singer in the history of recorded song, Freddie Mercury.
A man and a band that the core demographic of American Idol - tweenies - has never heard of. Granted, they were not even a drunken twinkle in their parents' eyes back when Freddie strutted around in tighter spandex than Baryshnikov, but still...
Boy-howdy, that Freddie sure could rock a unitard like nobody's business, couldn't he?
But I digress...
My point is, as I have stated previously, we are not in Kansas anymore, Toto. American Idol Season 5 has just about jumped the shark with this theme night. Sure, we expect to watch as contestants twist, torture, maim and mutilate our eardrums through Broadway Night, Hee Haw Night, Disco Night, and MoTown Night, but this season, the theme choices are so badly targeted that it seems Paula must surely be sharing her OxyContin stash with the producers.
And the guests?!? Stevie Wonder? Barry Manilow? Kenny Rogers? Wyclef Jean & Shakira?!?
Read that list again - it practically gives you visual whiplash
No, even if I were grading this season's "theme" paper on a curve, it would merit a C- at best.
But since we're all in this together, let's lean on each other and get through this recap. I promise you a long recess if you pay attention...
Ryan opened the show with the ominous: "EIGHT. CONTESTANTS. LEFT."
I followed with the smartass: "GEE. LIKE WE. CAN'T COUNT"
Warning us the they had, "pushed the contestants to their limits before", but that they were going to "stretch their talents even further" (correct me if I'm wrong, but if one is already "pushed to their limits", isn't is impossible to stretch any further? At least without serious ligament damage and a possible distended hernia? Sorry, I'll keep typing...).
He then asked, "Can anyone match up to Freddie Mercury?"
I answered, "NO."
Emerging from backstage with those ill placed spotlights making his head look like a white hot dandelion, Ryan wore the most ill-fitting, unflattering combination of clothing; the white dress shirt and striped tie were fine, although a tad boring, but on top of that he had heaped a v-neck sweater and then squished it all under a gray suit whose seams, like the contestants, had been pushed to their limits. Seriously, he looked like a corporate sausage.
I then noticed that Ryan must pay attention to the myriad blogs, articles, websites, radio spots, and spoofs out there which have been castigating his he-man facial hair the past two weeks. While not clear cut, his face was decidely less forested.
A quick intro of the judges showed Randy working the only note in his fashion fuge - Stripes. And someone get Lisa Loeb on the phone, I found her missing glasses...
Paula, well, at this point all I could tell is that she had ample hair, because the camera literally shot past her to Simon. Seriously, she was a blur. Not that that's a bad thing...
Simon was his Sunday brunch self in a gray sweater and matching condescension.
We were then treated to a video recap of the history of Queen so the 20 million people who have never heard of them could come up to speed.
My daughters are 13, 12 and 9 and while they certainly recognized We Will Rock You and We Are The Champions, they had no idea why these people were being infused into their American Idol. I did enjoy the snippets that brought Freddie Mercury back to life for a brief moment - he was an amazing, well-hung showman, wasn't he? Oh come on. Like you never pondered the package he showcased in his spandexitard.
We then saw the Idols meeting the band - now touring with Bad Company frontman Paul Rogers - and saw Pickles hurling herself at Brian May screaming, "Ahm Kaylie!" (Man, it's hard to type in Picklerese...
The Idols each got to briefly "rock out" (read: torment Freddie Mercury in his grave) with the band. I'm sure they got to spend plenty of time with them, but if you go by the video, all they each got to do was bang their head and fling their hair around a lot.
Buckilocks (yes, the nickname is now official - his hair was so bouncy and lovely tonight - a Pantene commercial come to life) was up first singing the infamous Queen ode to largesse, or it is largasse?, Fat Bottom Girls.
Yes, I know, Mandisa would have torn that song up and been proud to sing the words "Fat Bottom Girls you make the rockin' world go round." As it was, the world pretty much stopped spinning and fell asleep during Buckilock's version.
Decked out in JEANS, a denim shirt, boots and a black leather blazer, he had fun with it, but not enough fun to make me want to join in - in fact, I got up and made some oatmeal.
And when making oatmeal scores more funtime points than an AI performance, you know the Apocolypse is nigh.
Like all of Buckilock's performances, I was more interested in whether he was going to finally miss his hand as he flung the microphone back and forth and take out someone in the front row. In fact, I have a $50 bet with a friend that he knocks out some ten year old during the Idols Live tour this summer.
Randy thought it was a "cool way to start the show", albeit a "pitchy" way; Paula - ah, now I see her, sort of, her hand was near her face a lot - thought it was "great"; Simon, though, called it mediocre. I called it mediocreamofwheat, personally.
Next up was Ace, sharing the Chat Chairs with Ryan, and looking for all the world like someone who would have been in that all male dance club with Vito on last Sunday's episode of the Sopranos. Decked out in leather pants, a deeply unbuttoned black and white striped shirt, enough make-up to catch Freddie Mercury's eye from beyond the grave - and THE BUCKLE. There it was again, in all its rhinestone cowboy glory. The look was completed by a beaded necklace with a couple dainty bird feathers hanging down.
Listen, I know speculation is rampant that Ace is, in fact, gay. Quite frankly, I couldn't care less which way he hangs his watchfob, but if he isn't, the person controlling his fashion choices most certainly is.
Oh, and it looks like he and Buckilocks share the same hairstylist - his coif was the fluffy brown version of Buck's.
In his video encounter with the members of Queen, he attempted to rescore We Will Rock You - only one of the most famous rock anthems of all time. God love Brian May, who wrote the hit, who basically called Ace a wanker, and then told him to bugger off and shove the proposed arrangement.
Ok, ok, I'm paraphrasing, but Ace didn't score any points with the group.
He then began to sing and I was overcome with that sensation of empathetic embarrassment - you know, that feeling when you die a million deaths for someone who doesn't know they should be embarrassed?
His words lacked conviction, his movements were stilted, and Matilda the Mikestand submitted herself for testing after being humped midsong - at press time it was unclear as to when the Attorney General would be filing charges.
It was bad. And me with no more oatmeal to make. The only true highlight for me was seeing Monkee, Mickey Dolenz, in the audience, and even he looked like he wanted to jump on The Last Train To Clarksville just to get the hell away from Ace's performance.
Randy gave it a "5 or 6 out of 10"; Paula - ah ha! now I see why her hand has been fluttering near her face! She has a giant coldsore on her bottom lip! Not even the copious amounts of lipstick and light reflecting gloss could hide the goiter hanging off her lip.
Anyway, she made use of her Word-O-The-Day toilet paper and threw out the word "bastardized", but then said that "I liked what you tried to do." Come on people, this is Ace. He could get up there in a monkey suit and sing Yes We Have No Bananas and she would like what he tried to do.
Paula, give it up. It's embarrassing how hard you are jonesing to see what's behind that rhinestone belt buckle.
Simon called it a complete and utter mess. (The song, not Paula...I think...hmmmm) Then Ace stood with Ryan and demonstrated his mathematic prowess by holding up two fingers for the number 2.
I swear, can someone please tell these contestants how retarded the finger counting is? Unless this part of the show is secretly sponsored by Sylvan Math Centers or Sesame Street - STOP. IT. NOW.
AFTER. THE. BREAK, Pickles was shown in her Queen video, at least I think it was her under all that flipping, flopping hair. Her quote? "They said I was "brave," (regarding her song choice of Bohemian Rhapsody - the song taken to the slaughter house by Constantly Oozing Maroulis) "I hope that was positive". (It wasn't.) And "I have big shoes to fill". Listen Gerkhin, you couldn't even carry Freddy's shoes, much less fill them.
The song began with Pickles standing under a single spotlight, which any woman will tell you is not a flattering lighting situation. Dressed as a dominatrix in black pants, tucked into black stilletto boots, top by a black leather jacket and eyes that resembled a character from Children of The Corn - she sang, "Mamaaaaa, just killed a man..." Yes, Pickles, if it's possible for someone to die twice, Freddie did just that.
Her voice was fine, albeit tinny, but everything about the song was wrong. I mean, it was WRONG when Constantine attempted it, but Pickles? I have to tell you, if she truly didn't know the answer to "what's a ballsy?", she should now - taking on this song was the personification of the word.
She worked the stage as the lights finally came up, even going out on the raised platform in the crowd, but I have to say, Pickles, the knee-drop-begging-pose-thing is so last month. Work on a new move. Her voice then went on the lam, really, did anyone see where it ran to? Oh wait, she caught it just in time to end the song and then wink at the camera.
Ewwww. Ick.
She and Constantine should get together. Ladies and gentlemen! Introducing Mr and Mrs. Pickled McButtchindimple.
Randy said her jacket was "fly"; Paula sent her the "You worked it out" sentiment from the Randy Jackson Hallmark Card collection; Simon likened her look to "Night of the Living Dead", but that "I think it worked." Then ensued a classic Pickles moment in which she showcased (or faked, as the public opinion may be) her stupidity on what he meant when he said, "On paper.." in regard to her questionable song choice.
Honey, it's more than Simon's accent that throws you off. It would also be about 100 IQ points.
Up next was Chris, choosing to sing the obscure Queen song Inneundo. (Chris could sing the application instructions on a box of hemorrhoid cream and I would listen. He's that good.)
The opening overhead camera angle was a tad hokey, especially when Chris missed the cue and kept singing to the ceiling when the camera was now on him from the front, but other than that, he was riveting.
Wearing jeans, his ever present pocket chain, a rhinestone fleur de lis tshirt, a buckle (hold the rhinestones), and Ryan's missing stubble (Chris was decidely beardy tonight), his voice was strong, unfaltering, commanding. I had no idea what the lyrics were, but with strobe lights on full flicker and fog in the air, he nailed them.
Randy tried to fake him out with what sounded like an impending slam, but then shouted, "You delivered, baby!"; Paula - you would think with all that hair, she could hide that cold sore...- honestly, I don't know what she said. I was again distracted by the satellite dish on her lip. Simon said it was the "best vocal tonight", but then tempered his praise with "the song was too indulgent..a poor choice."
Another six million dollar break and we were back with Cheekbones McPhee, originally slated to sing Don't Stop Me Now, but who changed her mind at the last minute and opted for the ballady (no Pickles, that's not the cousin of ballsy) Who Wants To Live Forever.
Cheekbones understands lighting much better than Pickles and had her four spots coming up from the floor behind her, perfectly silhouetting the booty everyone Googles so vociferously for. Standing at the mike, it was easy to take in her outfit of black pants and a red satin top, aggressively cinched by an 80's power belt. On her ears were silver bird perches big enough for her to carry a parrot on each side of her head. Sadly, the birds had flown off... Oh and she was wearing lots of hair again. I swear I think she must be in some weird competition with Paula to see who can have the most fake hair glued to their head without falling over.
It was a strong vocal, but then honestly, when isn't it? She can sing. Period. And she is beautiful to look at - the problem is, there is something about her that is just missing. The "compelling gene" that thing that makes people want to do more than just stare at you. (Yes, I am aware that a great many of you want to do more than just stare at Katharine - I was referring to "get to know her", "know about her"...)
Randy said it was "a little pitchy, but a good job all in all"; Paula, obviously coming down from her latest dose, babbled, "I love it when I see an artist make the choice to change their mind." What?? Even when TiVod back three times, it made no sense. She then added, "Glorious, great job."; Simon said she looked "amazing" and was "one of the strongest" of the night.
Another break brought us back to Elliott sitting on the small talk stools with Ryan, chatting about his past jobs - fast food, corporate, DJ. Of course, Ryan had him use his DJese to intro his own Queen video recrap - and there's a reason why Elliott is not DJing...
I really thought he was going to nail Somebody To Love - he's got the range, the vocal power, but what tripped him up is his inate whiteboy gooberishness (also known as IWG). Sadly, it is an inoperable condition and there is no cure.
Dressed in a brown, untucked button down and JEANS, floating in a sea of purple lights, his delivery was stilted, almost phonetic, like someone was trying to learn English through song. "Ayy werrrrk harrrddd." He got better as the song progressed, but was still only "eh" - and the little kick he did at the end? Another unfortunate symptom of IWG.
Randy loved him, although he did cite the pitch problems; Paula said it was the "best vocal" of the night; Simon acknowledged that he "chose the tough one, but you pulled it off." I don't know - I think Mr. Yamin may well visit the Bottom Three again Wednesday night.
Finally, my man Taylor was up to sing Crazy Little Thing Called Love, as he said, "so I can dance". Thank God - I have missed his spasmy, jerky, exuberant performances the past few weeks. He took the stage decked out in JEANS, a white shirt, and what looked like a chinchilla blazer - seriously, it look slightly furry and shinier than Buckilock's hair.
He started to sing at the stationary mikestand, then got angry and attempted to kick poor Matilda. He missed on the first try, but then he knocked her to the ground on the second. First, dry humped by Ace, and now manhandled by Mr. Soul Patrol? Someone find her a halfway house for abused audio equipment, please.
OK, I love this man, but I have to say something about the antics tonight. Beginning with that lame ass "kicking of the mikestand". It was nice to see him move around again, but it almost seemed like he was "playing Taylor". I hate the word "organic" - it is as abused as Matilda these days - but what we have always loved about Taylor is that his performances - tics and jerks included - seemed organic - they just happened. Tonight it seemed like he was concentrating on trying to give people what he has read about in all these blogs - quirks. It just didn't seem to be natural till almost the end when it did manage to click into organicity. (My spellcheck is going to hurl.)
Randy cheered, "Taylor's back!"; Paula pondered whether someone should give him "a record deal or a straight jacket" (I do believe Virgin Record execs pondered the same thing back in 1987 over Ms Abdul...); Simon called it ridiculous and asked, "Taylor, are you drunk?"
Don't worry - Taylor can do no wrong in voters' eyes at this point. He'll be around - let's just hope Matilda doesn't seek a restraining order against him.
Last up was Smurfette, of whom Brian May said, "She's damn good." Yes, she is - I don't dispute that, but she is also a Smurf, and I reserve the right to not like her.
Singing The Show Must Go On, she walked down the ramp wearing black jeans tucked into Pickles' black stiletto boots, a black corset and a silver bra from the Rhonetta Johnson Bubbly Water Ho collection. She was also wearing some of Paula's fake hair - remember they buy it by the pound. On her waist was a belt of some sort - black leather with chain mail hanging from it and a star shaped buckle.
For fake hair, it was understated and she actually looked pretty - in a hookerish-silver bra sort of way.
She rocked the song and it was, in my humble opinion, the best vocal she has delivered yet. It was so strong that I almost forgot I dislike her for a few minutes. Smurfette is definitely confident onstage, but there is still an attitude of entitlement that I think will ultimately trip her up. People would much rather smile while watching Taylor twitch, than cringe while watching Smurfette act like a Patti LaBelle drag queen.
Randy said it started weak, but that she "worked it out in the end"; Paula spoke for "the whole country and every rock group in it (?)" who was "finding out what a powerhouse you are."; Simon summed it up best with "I found it all a little weird." Hmmm, could Smurfette be heading back to Dream Crusher Land during the results show?
Well, that's it kids. Another One Bites The Dust. It will be interesting to see who The People On Streets tell to Shove It and who will end up The Loser In The End. Is Ace really a White Queen? Will Elliott be undone by being such a White Man? Will Chris remain The Golden Boy? We'll all find out When The Night Comes Down... One thing's for certain though...
Old Freddie is definitely Rollin' Over in his grave.
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