ZZZZZZZZZzzzzzzzzzzzzzzzzzzzzzzz...
Huh? Wuh? Oh scuse me. I must have dozed off again. Sorry.
I don’t know about you, but on the whole, this season has just been incredibly snooze inducing for me. Kind of like a Lunesta butterfly on steroids. Nothing has truly perked me up, made me feel like I have to vote or stay awake.
Sure, Dolly Parton was her typical overdone, glammed up, caricature-of-herself self. And Paula has babbled more than a mountain brook. We’ve even had a little drama and pathos thrown in with David Cook and his brother’s cancer.
But over all? Zzzzzzzzzzzzz....
Maybe that’s why it’s so odd to me that I am most excited about tonight’s theme.
Screw disco. To heck with Maria Carey. And Songs From The Year They Were Born just make me feel old.
Nope – it’s Andrew Lloyd Webber who steams my clams.
I am a theater person from way, way back. And his songbook is magical. From Cats (which I had the honor of sleeping through on Broadway – sue me, it had been a long day) to Tell Me On A Sunday, to Evita, to the Phantom of the Opera, Andrew Lloyd Webber is a musical theater genius.
His songs are big, his songs tell stories, his songs must be interpreted, felt, before they can be UPSed to an audience.
Which is why I think tonight will be interesting. It’s not enough to sing the notes – even hitting the glory ones isn’t enough – these kids must become these songs if they hope to deliver the goods.
Personally, I hope no one touches Memory, Music of the Night, or Gethsemane. They are just too iconic, too big – the Broadway equivalent of taking on a Whitney.
Then again...
Gethsemane is probably perfect for one of the people on this show. Allow me to paraphrase a tad here...
"I only want to say, if there is a way, don’t take this cup away from me, for I still want to taste its fun juice..."
Put your head back down and go to sleep, Paula. That’s a good girl.
Meh. My guess is that we’ll probably just get Brook singing I Don’t Know How To Love Him and Puppy Love preaching Love Changes Everything.
Then again, David C is always good for the unexpected... Skimbleshanks the Railway Cat, perhaps? Or Don’t Cry For Me Argentina? The rock version?
Let’s find out...
~~~~~~~~~~~
In another dark suit and tie, Dapper ryDan looked solemnly into the camera and warned that tonight the finalists "face the toughest test yet", one which will "push them further than ever before."
(At this point I rolled some serious Give Me A Freaking Break eyeballs. It’s not like these kids are being asked to cure cancer in 60 minutes – they only have to sing a freaking show tune, for God’s sake.)
He finished with "Who will rise to the challenge, who will sink like a big, fat stone?"
OK, fine – BFS is MY contribution, but still. These songs are classics, but surely, for "the most talented group of contestants yet", they should not represent some musical Kilimanjaro.
But – T.I.A.I.- where hyperbole reigns supreme.
With the band expanded to the stage, and Ricky Minor in a suit, waving a conductor’s wand, the tone was set for an "elegant" evening of butchery. Sorry, but in my gut, I felt a seriously Sweeny Todd foreboding of lyrical blood being spilled by more than a few of the remaining six.
A quick hello to Randy – blah and boring (bloring?) in a gray shirt; Paula working a spangled tank top and a fairly cute hairstyle – although her lips looked suspiciously pontoon-like tonight; Simon phoned it in again in a black sweater.
The final six briefly walked out to thunderous applause, and Ryan then rolled the Andrew Lloyd Webber video package – wait, scuse me – LORD Andrew Lloyd Webber.
Ryan’s voiceover that Lord Andrew has "transformed the theater as we know it" was NOT hyperbole. He is responsible for some of the all-time biggest Broadway smashes ever. And face it, it is damn near impossible to get in an elevator and not hear one of his tunes Muzacked to death.
He began composing at the age of 7, published his first piece at 9, and began a partnership with Tim Rice at the age of 17 – said partnership bringing forth every well known musical in the past thirty years. (Yes, together, as well as their individual efforts.)
Idol flew the kids to Las Vegas to meet with Lord Andrew (hereby reduced for the sake of my fingernails to: ALW) in the gorgeous theater constructed in the Venetian for ongoing performances of The Phantom of the Opera. (I peeked in when I was last there – SIMPLY STUNNING.)
His promise to the group was to "try to make the songs work for you", but also cautioned that they are "story driven" songs. You have to understand them to sing them properly.
Randy then chimed in with this being the "toughest night of the season"; Paula fortune cookied about there being a "few who still stand out, but that this won’t work for those who don’t"; and Simon warned they needed to "make themselves memorable, but sound contemporary."
Up first with ALW was Syesha, who chose One Rock and Roll Too Many from Starlight Express.
ALW urged her to go the stage route and be more animated, and thought she "could well bring down the house."
With the lights dim, and her back to the audience, Ms Thang stood on top of the piano in a skin tight red cocktail dress, which actually looked enviable, not slutty. Her hair was back and sleek, her feet bare. (You don’t think Ricky wants Manolo marks on his Steinway, do you?)
I have to give it to her – it was a smart choice – a song not many people would readily recognize, thereby making it a fun romp to everyone watching. Both Culley and Kendall are huge theater buffs and did not know it – they simply enjoyed the performance.
Syesha sang with spunk, sass, power, and attitude. It was, by far, the most memorable performance (for me) she has given.
Randy said "not only is this your element, you could be a huge Broadway star" and echoed my notes that it was her "best performance to date"; Paula offered "this is your happy place" – um, ok, moving on; Simon started with "that was very sexy" and congratulated her on finally showing "masses of personality."
(Note: Downside to this solid showing? Drawing the short stick and singing first. Thank you to DGMS regular, Denise, who sent me a link yesterday. Apparently USA Today joined with WhatNotToSing.com and actually compiled the data, created bar graphs, etc, all to prove what we all already know - Singing first is no good. Out of 69 finals episodes, 20 contestants who sang first were eliminated the following night, while no one who has gone last has ever been eliminated the following night. Again, I realize this falls into the category of DUH, but if you are interested, you can check out the full data breakdown HERE.)
Back from the first break, Ryan was joined on the Chat Chairs by Dreads, who admitted that he was embarrassed at having never seen any of ALW’s musicals. Said he was "kind of uuuuuuhhhhhhh up to now" about performing one of his songs.
Uuuuuuuhhhhhh? Is that code for F'd in the A? (I mean that in the musical note sense, of course.)
As he met with ALW to rehearse Memory, from Cats, the collective "NOOOOOOOOOOOOOOOOO" in my house surely could be heard at the Space Station. God knows every cat within a ten mile radius felt its tail go all bottle brush.
ALW said it was a "brave choice in taking this song" and that he wouldn’t "be surprised if he ignores every single thing I told him, and he’s better."
My thought? Uuuuuuuuuuuuhhhhhhhh...
Sitting on his BFF, THE STOOL (all the better to not move an inch, my dear), dressed in a cream colored linen suit, Dreads began very restrained, and I hoped he would eventually open up, stand up, after all, Memory turns into a soaring, emotional piece as it moves along.
No such luck. He was whiney, breathy, bad, and proved beyond a shadow of a doubt that he has not a single glory note in his whole body. My Cats would have done it more justice. (Hell, Jason tied inside a bag of angry cats would have done a better job – at least there may have been some emotion and raising of his voice.)
Oh, and the Children of the Corny waving their arms in front of him was just creepy, Nigel. They are never waving in time to the music and look like a bunch of disembodied limbs.
Randy stumbled in with, "Um...wow..." then added that "vocally, for me, it was a bit of a trainwreck – not your thing"; Paula stammered about "everyone so used to hearing this sung by a female balladeer" (wouldn’t that be balladonna?) "wise choice for you to do this song, it identifies your unique being as an artist" (I swear, get the net.); Simon said it "felt, to me, and I’m sure to you, the longest 2 minutes of your life" and that Jason looked "miserable throughout."
Another break and we got to see Brooke meeting with ALW to attempt You Must Love Me (from Evita, the movie). LOVED his remark that, "I don’t believe that girl had a clue what she was singing about."
He then explained to her the backstory of the song, the pathos, the fact that Eva is dying, and she seemed to do better. (Yes, it’s amazing what understanding the lyric can do for one’s delivery. It would be like me singing She’s A Brick House and thinking it’s about female masonry workers.)
Sitting on a stool (again, she and Jason have proved that stationary works for them), she looked lovely in a long white gown covered with black butterflies and cinched with a purple ribbon at the waist. Her hair flowed. Unfortunately, the lyrics did not.
For the first time in the history of this show, a contestant actually stopped the music and asked to start over. (Yes, Brooke restarted on her own when she was at the piano a few weeks back, but it was only by a few notes.)
Yes, Brooke’s mental train so badly jumped the tracks that she asked for a do-over, which was granted by Ricky and the band. (According to Rudy, who gets the delayed version in Seattle, the verbal portion of her request to start over was edited out.)
Sadly for Brooke, although she managed to remember the lyrics, she could not recall where she left her confidence. The result was a little messy, a lot desperate. And knowing how this song swells and recedes in intensity, I kept screaming at her to "STAND UP" and really take control. She finally did stand, but only so she could cornily reach out a shaky hand on the line "You must love me" which was delivered as more of a plea for mercy from the voters, than an actual line from the song.
Randy went easy on her with "for me it wasn’t great"; lo and behold, it was Paula the Human Cotton Swab who brought down the hammer (ok, ok – it was a padded hammer) with, "You must never start and stop. This is the biggest show, biggest platform.."; Simon called it "very dramatic at the beginning" and said she would be "very disappointed when you watch this back."
Ryan then asked her what happened, and she left it at, "I lost the lyric."
At that point Simon, SIMON, actually swooped in and saved her with, "I would have done exactly what she did if she forgot the words. Very brave thing to do."
Sorry, Simon, but in seven seasons, no one has pulled that kind of stunt before. She choked, plain and simple, and needs held accountable, not coddled along to the finals.
Another break and we came back to find Puppy Love getting some love from a group of poorly dressed tweens and teens. Sorry, but those dresses were not exactly the latest from Limited Too. Limited Ewww, maybe. And the girls all seemed as uncomfortable with the whole fawn-over-David thing, as david was with being fawned over.
Little David chose to sing Think of Me from Phantom, a truly gorgeous song when handled by the right vocal cords – a woman’s. Even ALW was surprised at his choice. His biggest critiques, however, was for David to "open your eyes" and "OPEN YOUR EYES."
OK, I admit, I am seriously biased about these songs. I know them all by heart, they are on every iPod owned by the Sharp family, we all love musical theater in this house – so hearing Think of Me opened with a guitar caused my southern orifice to pucker in a way that brought to mind (or to sphincter) sugar-free jelly beans and orange juice.
(If you don’t get that reference, ask a regular...or go sifting through the DGMS Archives.)
Dressed in khaki pants, and David Cook’s cast offs of an untucked white shirt and loosened black tie, topped with a pea green coat, Puppy did manage to keep his eyes open, but in doing so, apparently lost his ability to concentrate on the words.
He muffed them not once, not twice (Imagine me nuh nuhhhh umm nuh put you from my mind), but THREE times, and after the third, actually MADE SOME UP (Whatever you choose to do.) You could see the panic behind his eyes. (Lucky for him, his prepube fan base has no idea what the words were to begin with.)
As he finished and the Children of the Corny shrieked, the camera cut to a shot of ALW in the audience – NOT CLAPPING, NOT SMILING, with a look of "What did that little bastard just do to MY song?"
Randy went with his new catchphrase "if you can sing, you can sing anything", then added the bull turd that "it was the bomb! This boy is the one to beat."
Yeah, beat with a stick for abusing the words so badly. I swear that song needs a rape counselor right now.
Paula called it "absolutely perfect." This is the point where I lost all respect for this show – not that I had a ton to begin with – because the pimping of David Archuleta reached a new high (or would it be LOW?) tonight.
It is absolutely apparent that they are all convinced they need him in the final two so as to carry the tweens and teens through to the end. If it were to come down to two adults, they’d lose over half their viewers.
Simon called it "pleasant, one of your weakest performances", like that will actually matter. The kid will undeservedly sail through again. Although not on the strength of any cell phones in this house.
Kendall, who had put him on probation when he muffed the lyrics on Beatles night, said he needs to "go play in traffic – he is dead to me." Yep – screw my favorite things once (The Beatles), shame on you. Screw my favorite things twice (The Beatles AND musicals) shame on you for still breathing.
Sorry, Puppy, but in this house, you’re Dead Man Singin’ from now on. (As soon as the show was over, the girls ran to stick an iPod in the stereo tower and began cranking Phantom tunes so as to "clear the stench" left by Archuleta.)
Carly was up next and attempted All I Ask Of You, also from Phantom. She got out two lines when ALW asked her what her second choice was. OUCH.
She replied, Jesus Christ Superstar, at which point he grabbed her and said, "A girl with THIS on her arm has to sing Jesus Christ Superstar."
Wise words, my lord.
As the lights danced and the music cranked, Carly bounced out in a sparkly paisley minidress and boots. And she rocked the house. For the first time, I actually felt a "You go, girl" kinship with her.
Her voice was big (although a tad drowned out by the backup singers on the chorus), she was confident, and she owned the stage. (And yes, she took a slight liberty - read: muffed - with the lyrics, but at least she didn't stumble - she rocked on.)
Randy called it "definitely good" and said he "liked the outfit"; Paula called it "so unexpected"; Simon said it was "a little shaky in the middle", but that it was "actually one of my favorite performances of the night."
Loved Carly then celebrating by holding up a Simon Loves Me (This Week) t-shirt.
One more break and David C. met with ALW to work out Music of the Night. OK, I admit I inwardly cringed. Again, cut me some slack – I have heard Michael Crawford sing it fifty feet from my actual ears, and he OWNS it. I am even still highly critical of the movie version.
ALW encouraged him to bring "raw passion, sophisticated passion" so that "maybe it will work."
Ringing endorsement, huh?
On stage, dressed in a black jacket, dark Henley, JEANS, and what looked like a tangle of toilet paper stuck to, and trailing from, his belt, David started slow and low. He tried to emotionally connect, but it fell flat for me. And then HE botched the words – it is not "falling, floating", it is "floating, falling".
I know I’m splitting hairs here, but these are well known songs – get them right, dammit.
He kept things restrained throughout the song, but I admit, that last note was pretty nice – unexpected – but nice.
Randy called it an "amazing vocal performance" and "another molten hot lava bomb" – um, not really, Randy. Lukewarm, lava lamp maybe...; Paula called it "fantastic"; Simon said David "made the most of the song" but added, "this is not the side of you I like, I prefer the grittier, more raw side."
Yes, yes, I think I know what you mean, Simon. He’s more of a rare T-bone dropped in the sand, not a platter of froo frooey Salmon carpaccio.
As the video recap of the performances rolled, I sighed because Syesha will surely end up in the bottom – not because she deserves to be there, but because she went first. I could not rewatch Dreads, I wanted only to put the Memory from my mind, so I hit the FF button. Same with Puppy and Brooke.
My prediction for bottom three is Syesha, Brooke, and Dreads – and methinks Brooke may be getting the Go, Go, Go (Joseph and the Amazing Technicolor Dreamcoat for you non-theater types).
So what do you think? For whom do you believe The Moments of Happiness (Cats) are over? Who has reached The Point of No Return (Phantom)? Chime in!
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