Ryan Seacrest opened tonight’s show with the stunning announcement that, "You know, we've talked about it, we've listened to everything you viewers have had to say - taken all your concerns and criticisms to heart - and, well, it's pretty damned obvious that Paula Abdul is a certified cashew. To that end, we have committed her to the Bellevue Home for the Sartorially, Follicularly, and Articulately Compromised, and have replaced her with someone who will bring sanity, reason, and coherence to the middle judge's seat. Ladies and Gentleman, please welcome Courtney Love."
He then added that he and Simon have finally declared their undying love for one another and the sport of mud wrestling, and have decided to combine the two.
Coming this summer, only on FOX, Dirty Love...
OK, fine, that wasn’t the April Fool’s he used, but based on the amount of emails I received today from folks who enjoyed my Courtney Love blurb, I’d say his uber dramatic announcement about "industrial action" (does that mean BIG, like the industrial sized cans of baked beans you can buy at Costco?) on the part of the "League of American Vocal Coaches" (do they have a Hall of Justice like the Wonder Twins and Aquaman?) pre-empting the show, fell a tad flat.
Although getting Simon in a Moment of Truth chair might be fun.
Simon, for ONE MILION DOLLARS, answer this question: Have you ever entertained the thought – even for the briefest of moments - of disemboweling Paula Abdul with a Garden Weasel?
Now THAT would be good TV.
As it is, we’ll have to settle for Dolly Parton mentoring the kids tonight, and quite frankly? That’s not bad TV either...
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With only one hour, hellos to the judges were minimal – Randy, still working the latest from the Carlton-Fresh-Prince-of-Bel-Air Prep Collection in a snazzy sweater with a bright yellow V neck; Paula There-Is-A-Rose-In-Spanish-Whorlem Abdul in a sleeveless silky floral number with a large flower highlighting her "garden"; Simon doesn’t give a tinker’s damn, and wore one of what I suspect is at least fifty black sweaters. No flakes though – he must be a Head and Shoulders man...
Ryan then rolled the video package on Dolly Parton, a true "pop culture icon" who has been entertaining since the age of 6. With 25 #1 hits, over 100,000,000 albums sold worldwide, and over 3,000 songs written, I have to admit, I am a fan.
Every time I watch her in 9 to 5, opposite Lily Tomlin and Jane Fonda, I come away thinking she truly stole the movie away from the "real" actresses.
I love her talent, her sense of self, her self deprecating nature, her razor sharp wit, her big boobs, her tiny waist, and would love to take a tour of her wig room. I’m sure I would need to pack a lunch.
Her ability to continue to kick out quality tunes is a credit to her talent, but she is also an incredibly savvy businesswoman, and one only needs to look as far as her recurring role on the insanely popular tweenfest, Hannah Montana, to know she knows how to stay relevant.
Watching her meet the kids was great. She bopped in wearing a tunic of liquid foil, black leggings, and high heeled boots, her wig ‘o the day – a full shag. And the kids were tickled. Contestants in seasons past may have had no clue who Tony Bennett was, or may have been completely unfamiliar with the work of Barry Manilow, but they all beamed at Dolly.
And yes, before anyone mentions it – the woman has had some work done. But whoever her surgeon is? Keep him/her, Dolly. They are doing it gradually, nothing too tight, nothing too Joan-Rivers-Ears-Meet-In-The-Back-Of-Her-Head. The lips are maybe a tad overstuffed, but other than that? More power to her.
Backwoods Barbie she is, and dammit, she’s proud of it.
First up to tackle her songbook, Brooke White and the classic Jolene, a song of angst, fear, and flat out begging for someone to not bag your babe.
Dolly said Brooke has a "sweet, warm way about her" – she does. But for me, it’s like maple syrup. On my skin. Not good.
Borrowing Kat McPhee’s stranded traveler banging on his suitcase at the Delta counter in Dulles, Brooke sat on a stool with her guitar. What I never like about this set-up is her posture – she looks like the Hunchback of Notre Lame – sit up straight, Brooke.
She looked her usual simple, lovely self in a plain navy blouse, brown pinstripe pants, her hair curly and softly pulled off her face.
Her singing was fine, although she seemed a little out of breath in spots, and she looked to be channeling Elvis Presley through her lip the entire song. That was the most memorable part for me, and going first, not quite enough for me to remember her by.
Randy said "this kind of music can suit your voice", but that it was not a "stellar performance" because of "pitch problems". In the end he said it was "ai’ight"; Paula complimented her on being "consistent", then the power grid in Paula’s cerebrum short circuited, "you are ... who ... you are" "YOU ... ARE ... zap, crackle, smoke, ssssssssss ... BROOKE ... WHITE ... pop, shftttt ... an ... excellent bzzzzzzz ... and wonderful ... crackle ... performer."
I swear there was actual smoke coming out of her ears.
Simon just summed it up with "not one of your best performances."
Coming back from the break, Ryan sat with David Cook on the Let’s Clear Up Controversy Stools – seriously, it seems if anyone questions anything, like David’s "original, yet not so original" cover of a cover of a cover of Billie Jean last week, we are sure to see them "bravely" tackle it on air.
As it was, David Cook couldn’t have cared less, freely admitting he goes Googling and You Tubing for arrangements, and give all credit to the artists he covers.
Riveting TV, AI.
Rehearsing Little Sparrow for Dolly, she summed up her assessment with, "His voice is perfect."
Wearing an untucked white shirt and JEANS, carrying his trusty guitar, David looked at ease, and finally, FINALLY we got to see some forehead. Someone got him to trim that dead muskrat that had been living across his pate. He looked so much better.
As for the song? I may have hated the Blackbird singing in the dead of night a couple week’s back when Carly refused to let it sleep, but I loved his performance. From the slow, controlled beginning, through the falsetto, to the last note – he was compelling – I wanted to watch. And I was so glad, even when he opened up a bit, that they didn’t bring out a KISS style light show. He didn’t need it. Nicely done.
Randy called it "very cool" and that he again delivered "another hot one"; Paula opened with "I LOVE YOUR HAIRCUT!" and complimented him on choosing such a different song that shows how "well rounded" he is; Simon was right-on with "if you can make a song about sparrows good, which actually you did – Congratulations."
Next up, Ramiele, who admitted to being starstruck in Dolly’s presence. Dolly loved her, saying "she’s got the spunk and personality" to handle the song, Do I Ever Cross Your Mind.
Standing on stage, all that crossed my mind was that Rami was wearing soup cans on her feet.
Shiny silver soup cans, and a black jumper with a white shirt. Whoever convinced David to cut his hair, now needs to convince Rami to stop shopping in Toddlers R Us.
Listening to her, all I came away with again is frustration. I want to like her. I know she houses a double wide voice in that broom closet body, but she keeps holding it in. There was nothing to get excited about, no big notes, no true connection, and she sounded like she faltered in spots.
Randy said he "wasn’t jumping up and down, but I wasn’t mad at you either" and gave it a six and a half out of ten; Paula babbled that it was a "great minute and thirty seconds and you were having fun"; Simon took a bite with, "We’re not going to remember this in ten years time." (In all fairness, if I still remember David Cook singing about little birds a decade from now, well, to quote Drew Barrymore in Fever Pitch, "I would think my life went terribly wrong.")
AFTER. THE. BREAK Dreads got his time waster spot in the Chat Chairs, this time to receive some postcards – oooo! – a whole handful from the same person! I swear, this show has more "riveting" moments than the Titanic did, and it’s still sinking...
Jason spent time with Dolly working on Travellin’ Through, her saying he "went a little outside himself" and that he’s "kind of funky looking". (Methinks Dolly wasn’t digging the dreads.)
On stage Jason was dressed in his usual uniform of JEANS, this week with a brown top, and boots the size of shovels – seriously, I could have dug a tree out of the ground with one of his feet tonight. And his hair - oh that hair - looking like "dread"ful neon seaweed in the glow of the Kermit the Frog spotlights.
I was not familiar with the song, but like all his other efforts, he sang it well – sweetly, softly, nothing to set the world on fire, nothing that compels me to pick up a phone on his behalf.
Randy said he "started a little rough, but by the middle you picked it up – you worked it out"; Paula called it one of his "strongest performances" and that his voice was "so strong, rich, like a freshly brewed cup of Folgers ... I loved it" (ok, ok, I added that last part); Simon was unimpressed, saying, "I didn’t like that at all. This kind of music doesn’t suit you."
Carly decided to take on one of Dolly’s best known hits, Here You Come Again (just heard this two days ago – gotta love all the channels on Sirius Radio), and Dolly stated it was "a good choice on her part - she killed it" in rehearsals.
Taking the stage in a black sleeveless top, painted on red leggings, and black boots, Carly looked – well, I actually thought she looked pretty incredible. Her hair was sleek, her make-up smoky, and this is a woman who embraces the fact that she is not a Size 00. She is not plump by any means, but she is certainly not modeling fashions on an Italian catwalk anytime soon. She is comfortable with her body, and it shows.
As for the song? LOVED IT. Dolly’s version of the dammit-won’t-you-go-away-and-stay-away-I-still-love-you song was almost peppy, whimsical. Carly slowed it down and it suddenly it was filled with all the real emotion ever experienced by someone who thought they had gotten over a beau only to find that their emotions Punkd them every time that person came near.
Her voice was full and her final notes soared.
Randy said "I do believe that will probably be one of the better performances of the night"; Paula called it "glorious" and declared Carly to be "such an amazing talent" ending with "OH MY GOD!"; Simon? Good lord, did he sit on a Garden Weasel tonight? He called it "good not great" then stated she needs to "have a word with whoever is dressing you" – OUCH – adding "not to be rude" (you just were) and "at this stage you need to start looking like a star."
Look, I’m with Rudy's comment from last week about missing the fashion, hair, and make-up transformations the majority of past contestants underwent – I miss seeing the duckling go swan – and while 90% of this season’s kids came prepackaged with loveliness and a clear sense of style, Carly Smithson IS transforming. I man, when was the last time we saw the yellow eyelids and blue tongue?
Another break brought us back to Ryan in the crowd pimping iTunes – just curious, how many of you have actually gone and downloaded video performances or the full length sung versions of the songs? I would imagine David C leads the pack of most downloaded?
Up next was Puppy Love working with Dolly on Smokey Mountain Memories. She said "I could feel he was so into it. He has the voice to really become a great singer."
Dressed for Sunday service in his best brown argyle sweater and brown blazer, Puppy looked sweet and innocent. Are they ever going to peel him out of the jackets and get him to dress like a 17 year old boy?
Hmmm, I guess that’s like asking if Brooke is ever going to bust out any cleavage or leg. Never mind.
I will say, after several shaky weeks, he finally nailed one. You could tell he definitely felt the lyrics, and NO, not just because of the mentions of Jesus and God. He enjoyed what he was singing, and that makes a huge difference.
And judging by the shot of his dad, K-Fed Archuleta (take off the damned hat), he was pleased too. There shall be no beatings tonight. Little Puppy may even get to sleep with a blanket AND a pillow.
Randy decided that "THAT was the best performance of the night"; Paula garbled out, "there’s a beautiful aura about you" (psst, Paula, those colors? That’s the Oxycontin kicking in); Simon summed it up with "Absolutely on the money."
Kristy Lee Cook was tickled to pieces to meet Dolly, and I imagine she was a little happy about the country tinged theme of the night as well. No more bastardizing Beatles tunes by covering them with a heaping of twang and a side order of manure – this is real country singing.
And Kristy chose another of Dolly’s most personal, and FAMOUS tunes, Coat of Many Colors. Dolly said "she took it and made it her own." (Drinking from the Abdool-aid, are we, Dolly?)
Sitting on the edge of the stage, Kristy was wearing a long dress of many colors, in fact, it looked like the stylists had skinned a herd of peacocks. She looked pretty with her hair softly pulled back, earrings of gold and Tiddly Winks hanging from her lobes.
She did not sound bad, and I actually think this was her best showing to date. But she still seems hesitant, scared. It causes a huge disconnect. The sad fact is that there’s just nothing about her that should keep Carrie Underwood up at night.
Randy left it with "country music is definitely your wheelhouse" (I guess that’s better than outhouse?); Paula led with, "you look stunning" and finished with "best performance of yours yet"; Simon called it "pleasant, but forgettable"
As soon as Ryan gave her phone numbers out, Kristy looked at Simon and sarcastically said, "Thank you Simon, love you."
Someone smack her. Every bit of goodwill I was holding onto for her evaporated in that moment. Seriously, get a riding crop and smack her like Seabiscuit.
Syesha got her turn at bat next, rehearsing I Will Always Love You, a song the majority of the public still doesn’t know was Dolly long before Whitney came along. Dolly sang it in The Best Little Whorehouse in Texas to Burt Reynolds, Whitney blew the doors off singing it in The Bodyguard with Kevin Costner.
Syesha is neither Dolly, nor Whitney, but dressed in a canary yellow dress with a red accent at the waist, she did set herself apart on AI. Syesha Mercado is the first American Idol contestant to sing atop a piano. Sure Kat McPhee mopped the floors with her knees, and no one will ever forget Fantasia warbling Summertime while half lying down, but Syesha looked incredible on that piano.
And she did not sound bad either. As Dolly had said, she took the "simplicity" of her version and combined it with the bombastic styling Whitney gave it, and while what she was able to produce did not erase either, I think she can hold her head up high tonight at the post performance dinner.
My only true criticism is that second to last note. Yes, it was impressive to hold anything that long. Personally, I’d need a bucket. But it went on almost too long, to the point of, I’ll-hold-it-till-I-puke-if-it-makes-you-remember-me-when-you-vote.
Randy said she "took on the biggest tiger of the night and did pretty good"; Paula again started with "You look beautiful" and then added something about "growing and growing and growing" (not in the Ryan Seacrest-Kellie Pickler sense of the word); Simon said the "first part was good, second part paled by comparison to the Whitney version."
And he’s right. Here are both Dolly’s and Whitney’s takes. Your favorite?
Finally, bringing up the rear and snagging the money spot, MYchael Johns, who admitted his first concert ever was Dolly Parton. Dolly loved him, saying., "He would make some great records. I could probably write some good songs for him."
He chose the steamy It’s All Wrong, But It’s All Right, and for the first time since Bohemian Rhapsody, I don’t feel justified sticking that "Y" in his name. Yes, MYchael had a very good night.
Dressed in JEANS, a white shirt, dark blazer, and an admittedly odd pink and black scarf around his neck, he tore in to this song. It was pure smoke, heat, and sex. His voice was solid, raspy, and he was strong right through to the end. (Pardon me, but get your minds out of my gutter, please.)
Randy called it a "blazing hot performance"; Paula slid out of her chair, but managed, "You’re a star, a rock star, a blues star, someone get me a towel..." (OK, I’ll stop); Simon summed it up with "I think this is the best I have heard you sing."
Ryan then shafted MYchael by running through his numbers so quickly, the only saving grace is that he went last, so we know it ends with a NINE.
See, Nigel? This is what happens when you waste time on Chat Chairs and stupid postcards from the edge of obsession.
As they replayed the performances, I made my predictions for Bottom Three – a task getting harder, but still not impossible.
SHOULD BE: Kristy, Ramiele, Brooke
It really is time to send Kristy trotting off into the sunset, and Ramiele is out of chances to live up to her Hollywood Week hype.
So who did you like tonight? Whose voice could you listen to 9 to 5 everyday? Who will survive and continue to live out their Wildest Dreams? And what do you want to bet that the GROUP SONG includes a craptastic take on Islands In The Stream?
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